Last fall as part of a new and lucrative television deal with Comcast, the Phillies dumped long-time broadcaster Chris "Wheels" Wheeler, along with relative johnny-come-lately Gary "Sarge" Mathews. When the change was finally announced over the winter there was little hue and cry from the normally passionate Philly fans. Despite being in the Phillies broadcast booth for 37 years, Wheeler never garnered the fan worship accorded former broadcasters Harry Kalas or Richie Ashburn. In fact, the opposite was true. With the possible exception of Andy Musser, Wheeler was the most disliked Phillies announcer of the last 50 years.
The reason for all the vitriol aimed at Wheeler can be attributed in part to the widely reported feud with Kalas. The feud started with Ashburn believing that Wheeler was out to undermine him and confiding in Kalas. Kalas' second wife also seems to have had a role to play, accusing Wheeler of facilitating Harry's philandering and of undermining Harry "subliminally" in the braodcast booth. Kalas and Ashburn were at a stage of their careers when they were beyond criticism, so Wheeler was the clear loser in this bit of nastiness. Kalas went public with his distaste for Wheeler, a former close friend, saying he was uncomfortable working with Wheeler.
Wheeler was also always open to the accusation that he had never played baseball beyond high school, did not have a classic broadcaster's voice and had a personality that could be prickly. It may not have helped him, either, when Tim McCarver came riding to his defense, saying Wheeler is "one of the finest people I know." McCarver has not exactly endeared himself with the public over the past few years in his Game of the Week duties for Fox Sports.
So there were many reasons for a lack of public outcry when Wheeler was so artlessly dismissed. After watching half a season of Phillies baseball with Wheeler's replacements, Jamie Moyer and Matt Stairs, however, I am ready to say that that I would greatly prefer Wheels were still in the booth.
Whatever his shortcomings, Wheeler was always professional, knowledgeable and articulate. I have been around the game as player, spectator and coach for sixty years, yet I found that Wheeler had insights into the game that were profound and telling. Wheels did his homework. Because he was so close to the team, he had access to special insights. Unlike Tom McCarthy he did not come across as fawning over the players, but gave you what seemed to be the straight dope.
The absence of Wheeler hasn't helped Tom McCarthy either. With Moyer and Stairs learning on the job, it has fallen to McCarthy to set them up for analysis. McCarthy is very professional, if a bit too saccharine, but he really does not know the game well and sometimes his set ups are awkward. Moyer appears to be working hard at the job, but his only real insights are in pitching and catching fly balls with two hands and he tends to perseverate on whatever is bothering him. Stairs is a great guy who is very inarticulate and does not come off as close to professional in the booth.
So I miss Wheels. It is tough enough watching this team play right now, without also having to listen to two ex-players stumble their way through on-the-job training. Wheels was a pro who enhanced my enjoyment of the game. That is what a broadcaster should do.
A blog about the Philadelphia Phillies past, present and future from a lifelong and long-sufffering fan.
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Tuesday, July 8, 2014
Monday, June 9, 2014
Jim Bunning’s Father’s Day Perfection
I received a terrific birthday gift form my wife, Cindy,
yesterday: an autographed, framed photo of Jim Bunning in the process of making
the last pitch of his perfect game against the New York Mets on Father’s Day, June
21, 1964. We are just a few days away from the 50th anniversary of
that event, and it brings back special memories for me, at the time a
just-turned 17 year-old about to begin my senior year of high school. I saw the
game, sort of.
In those pre-cable days, there were not nearly as many games
broadcast on television. In fact, the only day you could really depend on a
televised Phillies game was Sunday. My memory of the game is also in black and
white, because, though color TV had been invented, very few households that I
frequented had a color set.
I watched the first three innings of the game at home with
my dad on our old console Philco TV, while simultaneously getting dressed for
our Father’s Day trip for Sunday dinner at my grandparent’s house. There was no
excitement about the game yet, just a typically good outing from Bunning. After
three innings, my dad, mom, two sisters and brother all climbed into the copper-colored
Ford station wagon for the trip from Levittown to the Juniata Park section of
Philly.
Interstate I-95 had just opened from Bristol down to Castor
Avenue in Philly, so the ride that formerly took an hour or more, had been
reduced to about 45 minutes - good thing. We listened to three innings of the
game in the car and by then things were getting exciting. We knew by then that
Bunning had a perfect game. Not that the announcers were any help. Holding to
long held tradition, announcers Bill Campbell, By Saam and Richie Ashburn
refused to mention what was happening.
You would get little clues, like “Looking up at the scoreboard,
we see nothing but zeroes for the Mets.” Or, “Bunning is really pitching a
classic today.” But no one said the words “no-hitter” or “perfect game.”
In the dugout, Bunning did not stand on tradition. He was
chatting about the perfecto from the fifth inning on. Johnny Callison (who
would homer in the game) said, “You don’t talk about a no-hitter right? But
[Bunning] was going up and down the bench telling everybody what was going on.
Everybody was trying to get away from him, but he was so wired he would follow
us around.”
I clambered out of the car and ran into my grandparents’
house, waving a quick, “Hello”, to my grandmother in the kitchen and making a
beeline for the den, where I knew I would find my grandfather sitting is his
red leather Morris chair, smoking a Lucky Strike, and watching the Phillies
game. Sure enough as I entered the smoke filled room, he said, “You better sit
down, kid, Bunning’s got a no-hitter going.”
It’s a perfect game, Dad.” My father said, joining me on the
couch.
“Right. How about that.”
In those days, perfect games were so rare that few people
were fully aware of them. Even the home plate umpire, Ed Sudol, did not realize
Bunning was pitching a perfect game until he was told so by Mets announcer,
Ralph Kiner, after the game. “Do you mean I umpired a perfect game?”, he asked.
It had been eighty-four years since a perfect game in the
National League. That one was pitched by a young right-hander named John
Montgomery Ward for the Providence Greys. In 1956, Don Larson of the Yankees
famously pitched a perfecto in the World Series, but in the American League the
last regular season perfect game was in 1922. In 1964, perfect games were the
rarest of all baseball feats.
On the television it was the bottom of the seventh and
Bunning was 9 outs away. Pesky Ron Hunt of the Mets ripped a ball to third that
was fielded nicely by rookie Richie Allen and Bunning was 8 outs away. Hunt’s
smash was one of only two hard hit balls by the Mets all day. In the fifth,
while I was in the car listening on the radio, Phils’ second baseman, Tony
Taylor, made the play that saved the day. Met catcher, Jesse Gonder, hit a hard
two-hopper to Taylor’s left. Tony dived, snagged the ball, leapt to his feet
and threw out Gonder at first.
Bunning made easy work of the Mets in the eighth. In the
ninth he knew he would face two left-handed pinch hitters, George Altman and
John Stevenson. Altman was a powerful, dangerous hitter. Bunning hoped to get
Altman before Stephenson. This is how Bunning told it after the game.
I knew if I got
Stephenson up there with two out, I had it. I knew I could get him out on curve
balls, no matter what. Altman, I wasn’t so sure of. I didn’t know if I could
still jam him with the ball.
Bunning retired the first hitter in the ninth, former Phil Charley
Smith, on an easy pop-up to defensive replacement Bobby Wine at short. Then, as
he hoped, George Altman strode to the plate. My grandfather muttered a quick, “Uh,
oh.” I was too nervous to speak.
At this moment my grandmother yelled back from the kitchen, “Dinner’s
ready.” Her call was greeted by a chorus of male voices young and old, “Not
now!”
Altman launched a high fly ball to right that Johnny
Callison chased, but it drifted into the stands, foul. Strike one. Altman fouled off
the next pitch. Strike two. Bunning next delivered a curve ball that looked
like it stopped half way to the plate. Altman swung hard and early and missed.
Five curve balls later John Stephenson became Bunnings 10th strikeout
victim and the perfect game was complete.
Bunning slapped his pitching hand to his mitt, while what Mets
announcer Bob Murphy called his “happy teammates” came out to congratulate him.
The celebration was mild by today’s standards, but it was clear that Bunning
knew what he accomplished.
And so did I. I watched a perfect game, even if only on TV,
on Father’s Day, with my father and my grandfather.
We all adjourned to dinner with plenty to talk about.
To top it off, later that evening we all sat around the TV
to see Jim Bunning, local hero, appear on the Ed Sullivan Show. Things were
good in Phillies land.
A little later in the year of 1964, things were not so good,
but that is a story for another day.
Monday, June 2, 2014
Booing Del Ennis
In looking back at his record for the Philadelphia Phillies, Del Ennis would appear to have all the makings of the ultimate local hero. Ennis was born and bred in Philadelphia. He graduated from Olney High School, he turned down a big money (for the time) offer from the Yankees to play for the Phillies and he was an outstanding player and one of the greatest sluggers in Phillies history. Yet instead of becoming the hero he richly deserved to be, Ennis was booed unmercifully by Phillies fans throughout much of his career here.
Let's first provide a little context. Del Ennis was signed in 1942 out of Olney High by the Phillies and played one season at Double AA Trenton before enlisting in the Navy during World War II. Upon his discharge from military service in 1946, he joined the Phillies and was an immediate success, hitting .313 with 17 homers and 73 RBIs in his rookie season. Ennis was named to the National League All-Star team.
Over the next ten years with the Phillies, Ennis was a consistently reliable slugger, averaging 25 home runs and 109 RBIs, with a very respectable .286 batting average. To this day, Ennis ranks behind only Mike Schmidt and Ryan Howard in Phillie home runs, behind Schmidt and Delahanty in RBIs and in the top 10 in nearly every conceivable offensive category including hits, runs, doubles and even, incredibly, triples.
On the 1950 Whiz Kids team, Ennis was the primary offensive threat. As indispensible as Robin Roberts and Jim Konstanty were to that team,the Phillies would not have won the pennent without Ennis' heroics. He hit .311 that year, with a career high 31 home runs and a league leading 126 RBIs.
So why the booing for this certifiably outstanding local slugger? Phillies fans are famous for their booing, and especially for the booing of sluggers. Schmidt, Dick Allen and Pat Burrell were all targets of vociferous boo birds at various times in their careers. But Schmidt, as great as he was, could be wildly inconsistent at the plate and a bit enigmatic with the press and public. Phillie fans don't like their athletes introspective. Burrell, too, was maddeningly inconsistent and in his later years, a defensive liability. Allen, as the first great African American Phillie player, had a target on his back from the start and tended to garner negative publicity for his off field activities.
But what can we point to in Ennis? He was certainly no gazelle in the outfield, with a lumbering gate that made him look more awkward than he actually was. Eddie Sawyer, manager of the Whiz Kids, said "He was a good outfielder, had a good arm and ran good for a big man." In truth, Ennis did make quite a few errors in the outfield. Robin Roberts remembered that he once dropped a routine fly ball with the bases loaded, inviting a chorus of boos that could be heard all the way up in Bucks County. The next day he hit a grand slam to win the game.
Nothing can invite booing in Philadelphia like lack of hustle. Jimmy Rollins hears the boo birds on those occasions when he fails to run out a ground ball. By all reports Ennis was a full out hustler all the time. Richie Ashburn said, "Del played every game as hard as he could. He hustled all the time. He hustled like Pete Rose, but he never looked like he hustled that much." Maybe their is a clue in that last part of what Ashburn said. Ennis didn't appear to be hustling. In Philadelphia you not only have to hustle, you must also look like you are hustling. Long-time Phillie coach, Maje McDonald, said "Del loped in from the outfield, Ashburn dashed. Del looked like he wasn't trying, but he was one of the toughest and hardest-working guys we ever had."
What about strikeouts? The image of the big slugger striking out with the game on the line has invoked boos since mighty Casey was at the bat. Like most sluggers, Del struck out some, but not at the level of most sluggers. In fact, Ennis never struck out more than 65 times in a season. For perspective, Ryan Howard has struck out 68 times as of June 1, 2014, after one-third of a season.
According to Ennis' wife, Liz, the booing really did bother him.
"The booing was hurtful to him. It really was. Every time he was interviewed, the very first question everybody would ask is, ‘Why did the fans boo you like they did? He always said that as long as they paid money to get into the ballpark, they were entitled to boo. But the fact of the matter was, he didn’t understand it. He really didn’t understand it. And I don’t either.”
Make no mistake about it, the booing Ennis endured was prodigous. Here is how his wife Liz remembered Del's comments about it.
"When there was a lot written about Mike Schmidt being booed, Del couldn't believe it. He'd say, 'They think that is booing? That's nothing.' He didn't think that was anything compared to what he got every game, every at-bat, every move he made."
In retirement, Ennis seemed to be more famous for being booed than for being a great player. The first question out of every reporters mouth was about the booing and not about his near Hall of Fame worthy career. The booing came to define Ennis more than his considerable on field achievements did. His number fourteen was retired by the Phillies to honor Jim Bunning, the Hall of Fame pitcher who wore the number in the 1960s. No such honor has been afforded Ennis.
So, there you have it. Fine player, all-out hustler, consistent performer, RBI machine, pennant winner and target of unremmitting boos. After the 1956 season the Phillies traded Ennis to St. Louis where he enjoyed his final stand out season. When he returned to Philadelphia for the first time, the fans stood and cheered and cheered. As Joni Mitchell says in the song, "Don't it always seem to go, you don't know what you've got 'til it's gone."
As to those thousands of fans who mistreated Del Ennis over the years, I have just one word for you, "Boo."
Let's first provide a little context. Del Ennis was signed in 1942 out of Olney High by the Phillies and played one season at Double AA Trenton before enlisting in the Navy during World War II. Upon his discharge from military service in 1946, he joined the Phillies and was an immediate success, hitting .313 with 17 homers and 73 RBIs in his rookie season. Ennis was named to the National League All-Star team.
Over the next ten years with the Phillies, Ennis was a consistently reliable slugger, averaging 25 home runs and 109 RBIs, with a very respectable .286 batting average. To this day, Ennis ranks behind only Mike Schmidt and Ryan Howard in Phillie home runs, behind Schmidt and Delahanty in RBIs and in the top 10 in nearly every conceivable offensive category including hits, runs, doubles and even, incredibly, triples.
On the 1950 Whiz Kids team, Ennis was the primary offensive threat. As indispensible as Robin Roberts and Jim Konstanty were to that team,the Phillies would not have won the pennent without Ennis' heroics. He hit .311 that year, with a career high 31 home runs and a league leading 126 RBIs.
So why the booing for this certifiably outstanding local slugger? Phillies fans are famous for their booing, and especially for the booing of sluggers. Schmidt, Dick Allen and Pat Burrell were all targets of vociferous boo birds at various times in their careers. But Schmidt, as great as he was, could be wildly inconsistent at the plate and a bit enigmatic with the press and public. Phillie fans don't like their athletes introspective. Burrell, too, was maddeningly inconsistent and in his later years, a defensive liability. Allen, as the first great African American Phillie player, had a target on his back from the start and tended to garner negative publicity for his off field activities.
But what can we point to in Ennis? He was certainly no gazelle in the outfield, with a lumbering gate that made him look more awkward than he actually was. Eddie Sawyer, manager of the Whiz Kids, said "He was a good outfielder, had a good arm and ran good for a big man." In truth, Ennis did make quite a few errors in the outfield. Robin Roberts remembered that he once dropped a routine fly ball with the bases loaded, inviting a chorus of boos that could be heard all the way up in Bucks County. The next day he hit a grand slam to win the game.
Nothing can invite booing in Philadelphia like lack of hustle. Jimmy Rollins hears the boo birds on those occasions when he fails to run out a ground ball. By all reports Ennis was a full out hustler all the time. Richie Ashburn said, "Del played every game as hard as he could. He hustled all the time. He hustled like Pete Rose, but he never looked like he hustled that much." Maybe their is a clue in that last part of what Ashburn said. Ennis didn't appear to be hustling. In Philadelphia you not only have to hustle, you must also look like you are hustling. Long-time Phillie coach, Maje McDonald, said "Del loped in from the outfield, Ashburn dashed. Del looked like he wasn't trying, but he was one of the toughest and hardest-working guys we ever had."
What about strikeouts? The image of the big slugger striking out with the game on the line has invoked boos since mighty Casey was at the bat. Like most sluggers, Del struck out some, but not at the level of most sluggers. In fact, Ennis never struck out more than 65 times in a season. For perspective, Ryan Howard has struck out 68 times as of June 1, 2014, after one-third of a season.
According to Ennis' wife, Liz, the booing really did bother him.
"The booing was hurtful to him. It really was. Every time he was interviewed, the very first question everybody would ask is, ‘Why did the fans boo you like they did? He always said that as long as they paid money to get into the ballpark, they were entitled to boo. But the fact of the matter was, he didn’t understand it. He really didn’t understand it. And I don’t either.”
Make no mistake about it, the booing Ennis endured was prodigous. Here is how his wife Liz remembered Del's comments about it.
"When there was a lot written about Mike Schmidt being booed, Del couldn't believe it. He'd say, 'They think that is booing? That's nothing.' He didn't think that was anything compared to what he got every game, every at-bat, every move he made."
In retirement, Ennis seemed to be more famous for being booed than for being a great player. The first question out of every reporters mouth was about the booing and not about his near Hall of Fame worthy career. The booing came to define Ennis more than his considerable on field achievements did. His number fourteen was retired by the Phillies to honor Jim Bunning, the Hall of Fame pitcher who wore the number in the 1960s. No such honor has been afforded Ennis.
So, there you have it. Fine player, all-out hustler, consistent performer, RBI machine, pennant winner and target of unremmitting boos. After the 1956 season the Phillies traded Ennis to St. Louis where he enjoyed his final stand out season. When he returned to Philadelphia for the first time, the fans stood and cheered and cheered. As Joni Mitchell says in the song, "Don't it always seem to go, you don't know what you've got 'til it's gone."
As to those thousands of fans who mistreated Del Ennis over the years, I have just one word for you, "Boo."
Friday, May 30, 2014
The Making of a Phillies Fan
The date was July17, 1953. My grandfather and I boarded the
36 trolley at Erie and Lycoming Streets in the Juniata Park section of
Philadelphia on our way to the Broad Street subway and then 21st and Lehigh Avenue for a Phillies
game at what my grandfather still called Shibe Park, even though it had been
renamed Connie Mack Stadium earlier that year. As we walked from the subway to
the stadium by way of a railroad underpass, I can remember vendors selling Phillies gear and huge balloons that
were white splotched with red. We entered the gates of the aging edifice,
bought some popcorn and made our way to our seats down the left field line.
Coming out of the bowels of the dank stadium into the bright artificial light I
got my first glimpse of a major league ballpark.
The field at Connie Mack Stadium was the greenest, green I
had ever seen. I stared out over the lush landscape, mouth agape, as if my
grandfather and I had just entered into Oz. The Phillies players in red
pinstriped and woolen uniforms with huge numerals on the back stood out like
ruby red slippers on the green grass under the brilliant lights. As Richie
Ashburn, the great Phillie center fielder of the 50’s would recall, "[Shibe
Park] looked like a ballpark. It smelled like a ballpark. It had a feeling and
a heartbeat, a personality that was all baseball."
Before we even got into our seats, number 14, Del Ennis, had
rocketed a ball off the left field fence for a double. I could hear the crack
of the bat and the thwack of the ball off the old wooden fence as clearly as if
I were alone in the park. Mel Clark scampered home from second as the crowd
rose to cheer. I held my grandfather’s hand and we made our way through the
cheering fans to our seats. I knew right
there that I had entered into my own little contained heaven. That evening a
Phillies fan was born.
By the way, the Phillies lost that game, which was probably
a good introduction to a new fan of what life was going to be like for the next
60 years. On July 15, 2007, nearly 54 years to the day I became a fan, the
Phillies famously became the first team in major league history to lose 10,000
games. In part this was a tribute to their longevity; the team had been around
since 1883 , but it was also a testament to the team’s futility. If we count
from that July day in 1953, the Phillies had lost 4,558 of those ten-thousand, nearly half, while I was rooting for them. Now it takes some resilience and perhaps some
willing suspension of reason to remain a fan of this team of legendary losers.
But it is one of the perversities of fandom that I never
saw them as losers. I never viewed the coming season with dejection, the slow
April start as a harbinger of more bad things to come, the latest bust of a
pitching or hitting prospect as business as usual. I just kept my head down and
my spirits up and I kept on rooting. I was a fan. This was my team and while I
could engage in criticism of the team with other Phillie fans, woe betide the
Yankee or Dodger or Met fan who had a bad word to say about our squad. Because
there it is you see, this was our squad,
our players and they were and remain inextricably linked with our identity as a
city as the Liberty Bell and Ben Franklin and cheesesteaks. The Phillies are a part my personal identity as well. This is what makes for the faith of a Phillies fan.